A pick like the Mountain Voyage Minimalist Wallet with RFID blocking technology is great for those concerned about identity theft, for example. If you’re looking for a slim, minimalist option, consider the Smythson Leather Flat Card Holder, which is made with carbon fiber and metal finish for extra sturdiness. When selecting styles, we also took into consideration different uses-some men may want a more sleek, compact wallet while others may prioritize security and anti-theft features. We then looked to top-rated brands and selected styles with not only excellent reviews, but superior functionality too, since men’s wallets are an everyday essential that experiences a lot of wear and tear. Derek Lall helped us determine the types of materials that are best for men’s wallets, while Jian DeLeon and Joseph Tang offered guidance on sizing. When making a list of the best men’s wallets, we first spoke with our experts to determine which factors are most important. We recently updated our picks in August 2023 to add an option for the best smart wallet and the best RFID-blocking leather wallet. We regularly update this story to make sure we’re providing the best, most accurate recommendations. Joseph Tang, fashion director at Holt Renfrew in Canada, also weighed in on the types of factors to consider for men’s wallets. To gather the most accurate information on men’s wallets possible, we also looked to a team of outside experts, including Derek Lall, former men’s buyer for The Bay lifestyle store in Canada, and Jian DeLeon, men’s fashion and editorial director at Nordstrom. Co-author and contributor Becky Eaton also has extensive experience researching and reviewing fashion picks, like the best shoes for standing all day. Senior fashion editor and co-author of this story, Kari Molvar, is a veteran in the industry and has covered everything from the best messenger bags for men to the best work pants for women. Our archive includes articles on the most essential accessories, including the best leather wallets for men, the best slim wallets and the top wallets for women. The Forbes Vetted fashion team are experts on all things style. Approximately about every year 3000 crores rupees gets stolen through scammers. When you use our HIDE & SKIN cardholder and wallets you can easily save your hard earned money from scammers. We take full responsibility of our RFID blocking feature. The best part is that you don’t have to activate this feature it comes enabled from the the time of manufacturing and lasts till lifetime. Save Your Hard Earned Money:- HIDE & SKIN wallets and cardholders are equipped with one of the best RFID blocking mechanism and almost no scammers can scan your cards. Gifting Solution:- This leather card holder from HIDE & SKIN is an ideal choice for gifting your loved ones.?For warranty and product related queries please contact our customer care executive Make payments with ease using this card holder.Ĭompact and Stylish:- This product is slim and stylish and can easily fit in any of your pockets and bags. The unique thing about this card holder is that you do not need to open the whole wallet just pull the trigger and the card is out. We have left nothing while designing this product. 1 transparent window for keeping id cards or driving license and one additional compartment for keeping currency notes. Mechanism:- There is a stylish and unique C-CLIP which holds 4-5 cards, 2 hidden slots for keeping cards or other papers etc. The card holder is equipped with a unique metal composite which helps to protect any valuable information stored on RFID chips. RFID Blocking Technology:- To prevent the possibility of RFID skimming. The unique thing about this card case is that it made up of special leather which gives it a velvety and nappy feeling when you touch it. Its utility is further enhanced due to the durable cloth inner lining. Durable Material:- This functional card holder has been constructed using durable grain leather to ensure enduring service.
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I see this all the time here, where people extoll how much better one is vs another and efficiency is not even considered. So given that people just hook a pair of speakers and then hook up another pair right after, or hook up two pairs to an amp with a speaker selector switch, whichever pair of speaker is more efficient will win the demo because its louder and sounds "better" (more bass/more treble). Given the fundamental truth that all our demos everywhere are heavily affected by Fletcher Munson effects, this means even a small difference in level will be perceived as more bass or less bass in the speaker when it's no such thing- its our perception of bass causing this effect. This myth is in direct opposition to what the entire professional community already know about ATC: its sounds the same at every level, unlike many others, with the caveat of Fletcher Munson effects. I'm convinced this "don't sound good at low level" is a some myth started by someone who doesn't understand what they are doing. In a room setting with due separation, I am afraid 7’s will probably not perform to your satisfaction. So you will need to place them further away to acquire better soundstage. The soundstage of Scm is modest, not particularly wide as compared to other speakers with dispersion tweeter driver. With even small size room setting, I will consider upgrading to at least Scm 11 ($900 more). The other coveat is, as Tarun points out, Scm 7 is ideal for near-field, desktop settitng. Linton has tighter bass so I match it with NC 2125, and Sb3 is with A23. The effect on my main speakers, Wharfedale Linton Heritage, is similar. From the same speakers (NHT Sb3), the bass with A23 is tighter, cleaner but less weighty than the bass with NC 2125 in an absolute term. Both are class A/B rated 125 wpc into 8 Ohm. I own Parasound NC 2125 (DF = 150 at 20Hz) and A23 (DF over 800). To give you an example that I do have actual experience with. I like tight bass but not overly tight because it will sound lean. response is 60Hz-22kHz at +-6dB already and you could probably imagine how will the bass notes be perceived under well-controlled amplification. The SCM12 Pro has a perfect partner in the ATC P1 Power Amplifier.Since you have mentioned the high damping factor (DF) of your amp and the uncertainty on the 7’s bass performance, the combination of two might produce bass notes on the leaner side and sometimes might affect the midrange too. Sharing technology with the renowned ATC Soft Dome midrange unit the new tweeter employs a unique dual suspension system suppressing diaphragm rocking modes and eliminating the need for ferrofluid. This passive professional near field monitor also incorporates ATC?s SH25-76 tweeter. These features have been incorporated into the SB45-150CLD bass/mid driver and integrated into the new SCM12 Pro. The enhanced damping performance of this technology brings significant improvements to bass/mid drive units by reducing harmonic distortion in the critical midrange, improving magnitude linearity (frequency response) and also dispersion (behaving like a smaller drive unit off axis). Constrained Layer Damping (CLD) is a drive unit diaphragm technology from ATC that represents another advance in performance and one that transfers directly to system performance and the reproduction of music. Massive magnet motor assemblies offer no-compromise optimisation for each voice coil diameter. Front and rear venting not only reduces air flow noise but also increases power handling capacity and, therefore, long term reliability. Hand-wound voice coils use only high density edge wound flat OFHC ribbon copper wire and operate in precision magnetic gaps. Manufactured in-house to exacting tolerances ATC?s drive units are legendary for their many design innovations. Compact high-performance 2-way passive studio monitor with 6" mid/low frequency driver suited for critical near-field listening I knew readers wouldn’t see it coming, either. When I finally envisioned it, I stopped dead in my tracks, stunned that I hadn’t seen it before. I knew I’d put together a pretty decent high-stakes novel, and I’d raised the core stakes progressively.Īs I patted myself on the back, Shawn mentioned a convention of the thriller he called the false ending-a final twist, jacking the stakes up to a whole new level.Īs I jogged, I wondered how I could work a false ending into my story. The episode was about the conventions and obligatory scenes of a thriller, and I was about three-quarters finished with writing my first thriller, Nocturne in Ashes.ĭuring the podcast, I mentally checked off boxes in my head. In the fall of 2016, I was jogging along a bike path in Bavaria, listening to the Story Grid podcast. In this article, you'll find practical strategies and tips you can use to raise the level of stakes in your story. Similar to the stakes in a hand of poker.įinding ways to do this is not always easy, but when you put forth the effort, the results can be spectacular! Once you’ve laid the foundation for high suspense and captured your reader’s attention, you need to up the ante. While a high stakes beginning captivates readers, it will only get them so far before the excitement starts to wear off.Īs your story's central conflict progresses, the risks to your main character must intensify, keeping the reader invested in turning pages to find out what happens. But once you've done this, do you know how to raise the stakes? As a writer, you know building a foundation for your story-with a compelling opening and a sympathetic character-will allow you to grab readers right out of the starting gate with intriguing story questions and high stakes. If your binding is going to be white and you are going to scrape it down, I would spray a washcoat before scraping the binding. If you have to grainfill yet, and you want to protect the stain, use a washcoat before grain filling.Īlso. the color is similar, but the grain get obscured, and there is very little depth. the red and brown mix on the surface of the guitar. the end effect is a deep, dark cherry red color that has a lot of depth, like looking into a glass of merlot. then i spray several more coats of trans cherry red and 12 coats of clear. the two mix in the washcoat, not so much on the wood. then when you add the first coat of cherry red. The washcoat pulls some of the brown stain out of the wood. I grainfill with dark walnut grainfiller and this stains the whole guitar to the color of a turd!!! Then i spray a very very light washcoat of clear, a very light sanding to get rid of nibs and such and then hit it with trans cherry red. I do not use a washcoat before grain filling. In the Case of TV yellow, the washcoat is actually white! In some cases, like when grain filling with a darker color to accentuate the grain, but not wanting to stain the wood itself, a washcoat is sprayed before the grain filler, thus protecting the wood from absorbing the stain in the grain filler. sometimes you want this, sometimes you don't. and this can have the effect of giving the color more depth and slightly lighter. Nitro will also "lift" some of the stain our of the guitar during the first coat or two. for that I use a light cut of shellac under nitro. for proper adhesion over oily woods for example. However, sometimes you need a "barrier" coat. I just don t trust dissimilar materials used as a sealer. thinned nitro sinks into wood really well and thus, does not chip off as easily as a coating that mechannically adheres to a sanded surface. Therefore, I like the nitro to be my sealer, color and clear coats. Nitro burns into itself and makes finish that can basically be thought of as one coat even though you spray 16 layers. In general, I do not use a dissimilar washcoat under nitro. A washcoat is generally used as a protective layer, or a "lockdown" layer. If it still has some meat or fur attached, it will not be as safe for your dog as one that is properly prepared. When selecting a whitetail deer antler, look for one that is cleaned and naturally shed. If you are concerned, it is best to discontinue use of the antler.Īdditionally, make sure the antler you choose is not too large for your dog and that they are able to chew it comfortably. They provide essential minerals such as calcium and phosphorus and are a great way to keep a dog’s teeth clean.Īs with any chew, it is important to monitor your dog while they are chewing on the antler to ensure it is not becoming too small or crumbling. Antlers are a safe, natural way for dogs to satisfy their need to chew. Yes, dogs can chew on whitetail deer antlers. Dogs do not have the ability to regrow bone, so they cannot grow antlers.įurthermore, there is no scientific evidence that suggests antlers could be obtained by other animals such as dogs. Antlers are made of bone and are shed each season and regrown the following year. Antlers are only found on mammals like deer, elk, moose, and caribou. If your dog likes the antler so much that he/she guards it from you, Choice Wise Trainers recommend you teach him/her to “drop” the antler on command.No, dogs cannot have antlers from the woods. If your dogs fight over their antler chews, make sure to give them their antlers separate and apart from other dogs, especially alternate 'alphas'. This means it’s time to buy a new antler!ġ1. Take the antler away from your pet once it gets worn down to a small enough size that your pet could swallow/ choke on it. Remove the antler from your dog if they are biting hard enough to break it.ġ0. Do not allow your dog to chew more than an inch of the antler per day.ĩ. Be very careful giving hard chews (such as antlers) to especially aggressive chewers as it is possible they could break a tooth. Do not allow your dog to attempt to break the chew in half with his/her back teeth.Ĩ. Supervise your dog the first few times while chewing. The Choice Wise Safety Management Department will review your report and is qualified to offer Choice Wise customers a replacement product and full refund.ħ. If you find that the antler chews that you have purchased are not large enough, or appear to pose any immediate or serious threat to your pet, you are encouraged to report your finding and concerns to our Choice Wise Customer Service Central phone line at 83. Make sure your antler chew is large enough so that there is no possibility that your pet will swallow it prematurely. Our Choice Wise Corner Cuts reflect the care we share for your dogs, providing them with a unique chew that allows the less diligent, less avid chewer, immediate access to the premium nutrient-rich center that is hidden away in the antler.Ħ. Burrs offer your pets a fun, dynamic texture to chew, while most importantly providing them with a nutrient-rich, wide slice of marrow.ĥ. Your dogs will love them! The Choice Wise Burr is the bottom piece of the antler which attaches to the animal's skull before it is shed. The Choice Wise Burr is a great alternative to our Choice Wise Dog Chew. Of all the types of antlers that are shed, Elk antlers are the easiest on canine teeth.Ĥ. Most dogs enjoy both types of antler equally depending on the your dog’s chewing habits, we recommend you try both types of our Choice Wise antler to see if the texture or other variations cause him/her to prefer one over the other.ģ. Email is generally not a secure means to transmit data, and it looks like your forms may include some sensitive information. Both support exporting data as XML, but the details are different.Īnother thing to consider regardless of which way you go is security. Post again if you cannot find it.Īn important thing to consider is extracting the data if you'll be dumping the data to a database. There is a great article by Thom Parker here somewhere that discusses the differences and the reasons you may choose one over the other. For dynamic forms, you'll want to do the design work in Designer, not InDesign. I prefer acroforms due to their simplicity and support of everything PDF has to offer. Acroforms (those created by Acrobat) have much wider support with third-party PDF viewers (Foxit, NitroPDF, Nuance, etc.) If the form needs to be dynamic (e.g., adding fields at runtime, expandable fields), Designer is what you'll want to use. If you use XFA, your users will need to use Acrobat or Reader. I'd say either Acrobat or Designer will be fine. There can be a steeper learning curve with LC Designer (particularly with scripting), but there are plenty of resources online and on the forums. In LC Designer you can set up a Master Page (or multiple Master Pages) and assign these to particular pages in the form. For example importing/exporting XML data, connecting to a database or a web service call. Also you can start to add script to change the appearance of the form at runtime, for example showing/hiding objects.įorms developed in LC Designer are called XFA Forms, which give better flexibility for processing data later. LC Designer gives sufficient control over the objects to change visual appearance. If you start the form from scratch in LC Designer, you will only be working in one environment. You can then overlay this with form objects. This workflow is okay for simple/short forms.If using LC Designer, then you can export the InDesign layout as an image file and then place this in LC Designer as a background. Any changes have to be made in InDesign and then replace the pages in the PDF form. You can see that this means you are developing in two environments. One basic workflow is InDesign for the form layout > Export to PDF > Open PDF in Acrobat > From the Forms menu you can run the forms wizard which will detect fields and generate objects. The interaction (textfields, radio buttons, etc) are added in Acrobat. However InDesign really only creates the visual appearance of the form. InDesign will give you greater control over the look and feel of the form. Just follow the instructions on spacing and how to place form fields and otherwise do your own thing with it.I would recommend LC Designer over InDesign for creating forms. We’ll go through creating a simple form, but by no means does your design have to look exactly like this to get a form that works. Also make sure elements are separated and there is no overlapping text, which can cause form fields to fuse together and do other funky things that can add hours to your work. Avoid fancy graphical elements in the background. The best way to ensure that your design is readable is to stick to a white background with black type for any info that needs to be converted. The OCR (Optical Character Recognition) software that Acrobat uses to convert your design into a working form can only see clear, legible type and high-contrasting elements. The first rule of thumb is to keep your design uncluttered. In this tutorial, you will learn how to design a clean, working form to minimize your workflow headaches. Seemingly simple tasks that should take minutes can take hours to correct and fine tune. You may get a radio button where you wanted a checkbox. The recognition software may create fields on one line but not the next. Click the link to go to the full tutorial.Ĭreating forms in Acrobat can be a taxing process. Here is one tutorial for using Adobe InDesign to create forms that your user can fill in just using any PDF reader: via Creating Fillable PDF Forms With InDesign and Adobe Acrobat. Learning to use Adobe products like InDesign & Illustrator is useful to create PDFs that are more usable, interactive, and user-friendly. Do you want to create a form to distribute out to the public, that users can fill in (within constraints set by you)? Then it’s worth investing in some powerful software, beyond standard Microsoft Word & Adobe Acrobat Reader. So, enjoy your license key and come back from more amazing deals or tips like this on getting a free. Go to their website’s footer and click in the right column, Get a free license. 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You’ll need a plastic container (a rinsed-out pint of yogurt, perhaps), thin-gauge wire, mesh (from an old screen, maybe), a drill, some glue, and an old long black sock. When females lay their eggs on the container’s sock-lined rim, the larvae will fall through the screen and into the water. Ovitraps are dark, water-filled containers that imitate the breeding environment that mosquitoes favor-only this nursery is actually a morgue. RELATED: 8 Ways You’re Making Your Mosquito Problem Worse The Ovitrap Mosquito Trap: A Sock, Stagnant Water, and a Mesh Screen Empty the bottle and add more mix every 2 weeks or as needed. The mosquitoes will be attracted to the CO2, prompting them to enter through the funnel, where they’ll then drown in the water. Set the snare above ground in a shaded part of the yard, away from gathering spaces. To increase the mosquito trap’s effectiveness, secure a black sock, cloth, or piece of paper around the outside of the assemblage.Then tape the two bottle pieces together. Remove the cap, flip the top of the bottle upside down, and push it into the bottom half of the bottle to create a funnel.Once the solution has cooled, pour the mixture into the bottom half of the bottle, and add the yeast to begin the carbon dioxide reaction.Heat the water, then add sugar and let the granules dissolve.Cut the bottle in half around its middle.They’ll zoom in to this simple snare, believing they’ll soon be sucking blood, but instead they’ll meet their doom! You’ll need a cup of hot water, 1/4 cup of sugar, a gram of yeast, and an empty two-liter plastic bottle to craft this concoction. Mosquitoes are attracted to carbon dioxide, which they perceive as the breath of humans and other mammals. It's a strange and upsetting dynamic to behold because at first it seems sort of empowering for women to play those parts usually reserved for men, however, when it becomes clear that all of the women in charge share the exact same traits that are entirely based on negative gender stereotypes, it feels a lot less evolved.Ĭhip's flight to freedom is an escape from the shackles of vicious womanhood in a very literal way. In fact, every single secondary antagonist in the film is a similarly vile example of toxic femininity (if there is such a thing), and every other man in the film is a victim, even the ones trying to kill Chip. She is far from the only example of horrfically stereotypical shrews in the film. She is the very embodiment of the kind of woman that men's rights activists insist are everywhere, and that's really hard to watch. There is nothing about the Liza character that defines her outside of that a disregard for the men around her. Liza is evil, which would be fine, if it weren't for the fact that every single character trait written to outline her evilness is directly attributable to negative stereotypes of manipulative women. AnnaLynne McCord's portrayal of Liza as a harpy of a woman whose sole purpose on earth is to manipulate the men around her, whether it be Chip, her landlord, or her poor simpleton brother, is incredibly grating and one note. There are plenty of films that utilize women as villains in interesting and compelling ways. I've seen enough exploitation films over the years to understand how these things are constructed. Sex, drugs, and violence are in no short supply here, but I do have a really major issue with the film that became evident within the first few minutes. On the surface, 68 Kill has enough going for it to find great success as a modern indie crime exploitation film. Liza gives chase, and the rest of the film follows Chip as he encounters one asshole after another on his way to freedom. Chip decides he's had enough and goes on the run with a hostage their pair had kidnapped when the simple heist took a predictably sideways turn. All the while she assures him that it's for the best, simultaneously digging him deeper and deeper into her horrendously twisted plans.Įventually Chip draws the line when he discovers that Liza's predilections for mania and abnormal behavior run in the family after an unsettling collision with her dopey oaf of a brother Dwayne (Sam Eidson), who has some pretty twisted hobbies of his own. Chip pretty quickly realizes that his girlfriend is far more out of control than he knew after watching her trade sex for rent with their unpleasant landlord. The story revolves around a white trash heist of $68,000 initiated by Chip's emasculating, maniacal girlfriend, Liza (AnnaLynne McCord), who uses her feminine wiles to induce her man into becoming an accessory to all manner of heinous crimes in the name of financial freedom. Matthew Gray Gubler's Chip has a really hard time with women in Trent Haaga's scumbags-on-parade exploitationer, 68 Kill. |
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